September 4, 2024
(ZH) Artforum: Reexamining "minority": review of Minor China: Method, Materialisms, and the Aesthetic by Hentyle Yapp | ARTFORUM book reviews
Book review written for and published by Artforum.
2024
Rutgers Art Review: "Distance of Ambivalence" in Persona Performance: How Tseng Kwong Chi Appropriates the Mao Suit
Refereed article on Tseng Kwong Chi's 1980s photographic-performance practice published by Rutgers Art Review.
August 29, 2023
(ZH) ArtReview: "Personal: A New Form of Documentary Photography": Murmurs of the Site
Group exhibition of contemporary documentary photography at Shanghai Center of Photography, curated by Karen Smith.
July 14, 2022
(ZH) Art-Ba-Ba: When Documenta Moves into a Factory—The "Adaptation" and "Resistance" of Artists' Collectives at Hübner areal
Documenta 15's showcase of practices of artists' collectives at former factory Hübner areal.
July 13, 2022
Mousse: "Atlas of Affinities: Vol. 1, The Far-Near" at HUA International, Berlin
Group exhibition of works by transnational artists at gallery HUA International.
June 24, 2022
Berlin Art Link: Metonyms of Power: Pope.L at Schinkel Pavillon
U.S. artist Pope.L's first institutional retrospective in Berlin.
June 17, 2022
(ZH) The Art Newspaper: Gazing at Trauma, Rediscussing Repair: The 12th Berlin Biennale Reveals Colonial Woes of History and Environment
The 12th Berlin Biennale opens in Berlin across six venues, curated by artist Kader Attia.
May 2022
(ZH) The Art Newspaper: Reconsidering Repair as Concept: How Does the Art World Face Trauma?
Cover story of May issue, reporting on exhibitions dealing with trauma and repair as concept.
April 1, 2022
(ZH) The Art Newspaper: "Jinyun Quarries—The Quarry as Stage: From Economic Exploitation to Ecological Reuse"
Exhibition of architect XU Tiantian and her team DnA's work in Jinyun, Zhejiang, China.
February 1, 2022
Zeszyty Artystyczne: Two Comparative Studies: Repositioning the Work of Antoni Starczewski
Published in Zeszyty Artystyczne (no. 39) by the University of the Arts, Poznań.
November 2021
(ZH) The Art Newspaper: "The Cold and the Cool: Painting from the USA and USSR 1960–1990"
Exhibition comparing painting practices from the former USSR and the USA during the Cold War.
October 2021
(ZH) The Art Newspaper: "Ecologies and Politics of the Living"
Vienna Biennale for Change 2021.
August 22, 2021
(ZH) LEAP: Cross-Dressing Performance and Fan Interactions: The Adaptation of Awakening from Dream of the Red Chamber
The hauntology of adaptation.
June 30, 2021
(ZH) The Art Newspaper: He Started a "Wanwu Council" at the Gropius Bau to Observe the Political Life of Plants
ZHENG Bo's end-of-residency exhibition in Berlin.
March 31, 2021
(ZH) The Art Newspaper: From Cosmopolitics to Techno-Shamanism: 10 Exhibitions That Mark the 100th Anniversary of Beuys's Birth
Beuys's 100th birthday, celebrated in Germany and accross the rest of the world.
August 3, 2020
Berlin Art Link: Political Art for an Uneasy Time: 'John Heartfield – Photography plus Dynamite' at Akademie der Künste
John Heartfield had a long overdue retrospective on view in Berlin.
May 31, 2020
(ZH) The Art Newspaper: Edward Hopper, Empathy from History
The Edward Hopper exhibition focusing on his landscape paintings re-opened at the Fondation Beyeler.
May 03, 2020
A book review that was written for and published by Synoptique, a double-blind, peer-reviewed online journal of film and moving image studies based at the Concordia University, Montreal, Canada.
April 09, 2020
It's helpful to understand the exhibition through the nexus between sociality and health, a connection that has upheld Baden-Baden to this date.
February 17, 2020
When an artist passes away, especially after a heart-wrenching event like suicide, how should a posthumous retrospective represent their work?
December 12, 2019
(ZH) Shanghai Art Platform: "Who Are You": Questions about Transmediality from LI Ran
LI Ran's stage at the AIKE Gallery, Shanghai.
October 31, 2019
Artist Eleanor Antin, whose solo exhibition is currently on display at the Art Institute of Chicago, was once described as a “postconceptualist” by art historian Cherise Smith.
